Fresh Air

Dozier and his songwriting partners Brian and Eddie Holland wrote the Motown hits "Stop in the Name of Love," "Baby Love" and "You Can't Hurry Love." He died Aug. 8. Originally broadcast in 2003.

A Pakistani immigrant and an Irish-born grandmother fall in love in a bleak English town in this sunny and upbeat film. Ali & Ava is a lovely, charming surprise.

The Atlantic's Caitlin Dickerson spent 18 months filing lawsuits for documents to put together the story of the Trump administration's policy of separating migrant families at the border.

Holes spent more than 20 years investigating crimes in California and played a critical role in identifying Joseph James DeAngelo Jr. as the so-called Golden State Killer. His new book is Unmasked.

Washington Post columnist Dana Milbank examines how the GOP got to where it is today, with some elected leaders and candidates still endorsing the lie that Trump won. His book is The Destructionists.

Mohsin Hamid's surreal new novel centers on a white man who awakens one morning to find that his skin has turned brown. The Last White Man only seriously strains credulity at its very end.

Melanie Lynskey is up for an Emmy for her leading role in the Showtime series about a girls' soccer team who go down in a plane crash in 1996, and have to survive in the wilderness for over a year.

Set in Oklahoma's Native American territory, the show blends satire, pathos and tribal lore — not to mention American Indians' tragic history — into a series that is fresh, funny and heartfelt.

Scurry discusses the brain injury that derailed her life. Kevin Whitehead reviews Tyshawn Sorey's Mesmerism. Journalist Scott Higham says the U.S. opioid industry operated like a drug cartel.

Moloney recorded or produced more than 70 albums of Irish music and is credited with bringing traditional Irish music to a wider audience. He died July 27. Originally broadcast in 2006 and 2009.

Russell, who died July 31, led the Boston Celtics to 11 NBA titles. He was also the first Black head coach in the NBA and a civil rights activist. Originally broadcast in 2001.

The escapist aesthetic of Renaissance is its own kind of statement — Beyoncé's way of asserting the primacy of Black musical forms throughout American pop history.