Robert Krulwich
Robert Krulwich works on radio, podcasts, video, the blogosphere. He has been called "the most inventive network reporter in television" by TV Guide.
Krulwich is the co-host of WNYC's Radiolab, a radio/podcast series distributed nationally by NPR that explores new developments in science for people who are curious but not usually drawn to science shows. Radiolab won a Peabody Award in 2011.
His specialty is explaining complex subjects, science, technology, economics, in a style that is clear, compelling and entertaining. On television he has explored the structure of DNA using a banana; on radio he created an Italian opera, "Ratto Interesso" to explain how the Federal Reserve regulates interest rates; he has pioneered the use of new animation on ABC's Nightline and World News Tonight.
For 22 years, Krulwich was a science, economics, general assignment and foreign correspondent at ABC and CBS News.
He won Emmy awards for a cultural history of the Barbie doll, for a Frontline investigation of computers and privacy, a George Polk and Emmy for a look at the Savings & Loan bailout online advertising and the 2010 Essay Prize from the Iowa Writers' Workshop.
Krulwich earned a Bachelor of Arts degree in history from Oberlin College and a law degree from Columbia University.
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Over the 20th century, America's "growing season," a proxy for warmer temperatures, has been getting longer. And scientists say the trend is exactly what they expect to see as greenhouse gases in the atmosphere increase.
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Moths and butterflies radically change shape as they grow, from little wormy caterpillar critters to airborne beauties. Why are they born this way? Could they actually be separate organisms? -
If we don't notice that animals are in deep decline, do we keep eating and eating until what is disappearing is gone permanently? Or do we unconsciously adjust? -
Two artists, both of whom died in their 30s, offer starkly different perspectives on their impending deaths. Says one: "I am all emptiness and futility. I am an empty stranger, a carbon copy of my form." The other painted until his dying day. -
In his new book, author and Harvard literature professor Stephen Greenblatt explores the 2,000 year-old writings of Lucretius and his "spookily modern" creation tale. -
The circles in this optical illusion aren't really moving. But don't blame your lying eyes — blame your lying brain. -
One of Agatha Christie's last novels apparently contains not only a messy plot, but signs of undiagnosed Alzheimer's. -
Scientists have found hundreds of big, gassy planets that orbit close to "their" star, though solar systems with small rocky planets, like ours, have been elusive. This might be because they are hard to detect using existing techniques, but an astronomer says he's getting a bit nervous. He doesn't want to think that we are the exception rather than the rule.
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For 25 years, a professor collected essays from her students based on the this prompt: "Was there an object you met during childhood or adolescence that had an influence on your path into science?" One student remembered her Easter basket. -
Virginia Woolf wanted to think about what it's like to think about ordinary things. Novelists, she said, should study life as it happens. That view suggests that while scientists probe and analyze questions, artists discover what questions to ask. -
One night, an elderly woman woke up to a female voice singing Irish ballads. The problem was the voice was in her head. Dr. Oliver Sacks was able to determine why she heard the voice. But the more interesting question was -- whose voice was it? -
In the 1800s, a chef in Paris created a liquid that deepened the flavor of everything it touched. Its flavor wasn't any combination of the four recognized tastes. It took a Japanese soup lover and scientists to acknowledge a fifth taste: umami.
