Olga Garcia-Mayoral | Artburst

The curved entrance walls at Oolite Arts are enveloped in pale pinks, muted reds and cool blues. Arches rise across the architecture. Columns, patterned surfaces and imagined passageways turn the gallery into something resembling a temple, civic building or ceremonial chamber. Look closer, however, and the decorative surfaces begin to reveal a considerably more bureaucratic origin.

A ghost appears repeatedly in the world of Miami artist AES. Sometimes it is reduced to a few economical black lines: rounded, almost cartoonlike, with dripping edges and two vertical marks suggesting eyes. Its simplicity is deceptive. The figure carries the visual immediacy of graffiti—a mark designed to be recognized quickly—but in AES’ hands, “The Miracle Ghost” has traveled beyond the wall into paintings, mixed-media works and sculpture.

“The Silent Paths” at Durban Segnini Gallery in Coral Gables unfolds less as a dialogue between two Venezuelan artists than as an invitation to slow down.

Curated by Dimitry Saïd Chamy and Charo Oquet and presented by Edge Zones, the group exhibition at the Miami Beach Regional Library on display through Thursday, July 16, features 16 artists whose practices move fluidly across sound, code, fiber, video, printmaking, painting,

At VISU Contemporary, “My Silence Is Made of Explosions” presents Surrealism not as a historical reference, but as a living, evolving language shaped by contemporary women artists.

At The CAMP Gallery in North Miami, “Under the Red Tent” unfolds as more than an exhibition. It is an environment shaped by collaboration, storytelling, and the tactile language of fiber. Presented by Red Thread Art Studio Miami, the show brings together more than 20 women artists who use textile practices to explore connection, identity, and shared experience.

The world of South Florida’s flea markets – their vendors, colors, and quiet moments of survival –come alive in a new solo exhibit.